This look at what was on television and radio on 25th September 1965 – the same day as the Doctor Who episode Air Lock, transmitted once and then wiped and never seen again until a copy resurfaced in 2011 – came about purely because I had the relevant pages of that week’s issue of Radio Times to hand and needed some content for my old site. There really was nothing more profound or detailed to it than that, but happily, it turned out to be a good deal more interesting than I had anticipated it would be, and I’d still love to see The Flying Swan and hear Violence In Poetry if anyone out there can help. I didn’t have all of the relevant pages to hand, though, as I was missing the actual Radio listings and had to use vaguely relevant images from other surrounding issues of Radio Times. I’ve decided to retain them here, as… well, I like them,
Inevitably, there are a couple of details in this fairly jokey and off the cuff piece that probably need explaining now. The reference to ‘sonorous drivel’ and ‘bastards not replying to a straight question’ regarding politicians was a back reference to a different piece about Robert Robinson and his wryly amusing reasons for abandoning Current Affairs broadcasting for the more trivial surroundings of game shows (which you can now find here). The Nightly Show, which even I had to look up just now, was a hopelessly aimless ITV satire/variety show hybrid which ran for around a month early in 2017. Meanwhile, I don’t really need to explain Look On Yonder Wall by The Paul Butterfield Blues Band as the joke works even if you haven’t heard it, except to say that if you haven’t heard it, please do so at once. They’re the pioneering sixties band that everyone always forgets and are a good deal more exciting than many of their Woodstock-skewed peers.
You can find my piece on the recovery of Air Lock and my reactions to seeing it for the first time in my book Not On Your Telly, which is available in paperback here or from the Kindle Store here. Elements of this also formed the basis of an expanded version of my feature on The Original Peter, which you can find – along with a similarly expanded version of the Air Lock piece – in Can’t Help Thinking About Me, available in paperback here or from the Kindle Store here.
If you’ve read my book Not On Your Telly, then you’ll probably have seen a piece about when a copy of Air Lock, the long-lost third episode of the 1965 Doctor Who story Galaxy Four, turned up a while back. More specifically, it was a piece about how excited I was by the discovery, yet how different the whole experience was from the time that I got to see a much-copied VHS dub of the similarly recovered second episode of The Evil Of The Daleks back in 1987.
Now, purely on the basis of having thought of a David Bowie-related pun that was too good not to use but which I’m almost certainly not the first person to have thought of and which is of absolutely no other practical relevance whatsoever, I’m going to take a look at what else was on offer on television and radio on 25th September 1965. Despite the excitement that it caused for Doctor Who fans, who could finally see the hot blonde Drahvins in full man-subjugating action, not to mention The Rill finally appearing in something other than a Rare Photo, Air Lock was hardly the most high-profile archive television find of recent times; indeed, even when its discovery was announced, it was overshadowed by the simultaneous turning up of David Bowie’s Top Of The Pops performance of The Jean Genie. There’s probably a theme developing here somewhere, actually, but let’s not go overboard with the attempts at logic and cohesion. Anyway, even so, it’s still probably the most celebrated and widely recognised programme transmitted that day, but was there anything else similarly long-lost that would make for an equally astonishing find? Never mind that, what about the possibility that there was the odd programme we all know and love but not in the sort of manner that makes us remotely interested in the transmission date? What about all the complete and utter waffle that sat somewhere in between? Well, there’s only one way to find out. And it involves making some tea first, apparently.
As you’re probably already imagining, BBC1 was more or less goal to goal sporting excitement until Juke Box Jury showed up at 5.15, with Petula Clark, Buddy Greco, Virginia Lewis and, erm, Jonathan King giving their verdict on whether Today, Tonight And Tomorrow by The Chosen Few, Poor Old Johnny by Twinkle, Everybody Loves A Clown by Gary Lewis And The Playboys and the splendidly-titled Gyp The Cat by Bobby Darin would be ‘Hits’ or ‘Misses’ (clue – they weren’t ‘Hits’). Following an episode of The Dick Van Dyke Show featuring a guest appearance by Chad And Jeremy – who, despite being just about the most serious and proto-progressive of any of the ‘British Invasion’ acts, bafflingly seemed to show up clowning around on just about every American television show in existence – there’s a second BBC outing for top Canadian comics Wayne And Shuster. As some of you reading this will no doubt be aware, their inaugural appearance a couple of weeks earlier had featured a sketch in which they traded zingers on the set of as-yet untransmitted Doctor Who story Mission To The Unknown complete with Daleks. Amazingly, this sketch does actually still exist, but it’s also quite some considerable distance from being anything resembling ‘funny’ so perhaps we can be grateful that rights complications prevented it from showing up as a DVD extra. Anyway, while there were definitely no Delegates in the second episode, it did coincidentally feature Johnny Clayton, who had played one of them (let’s not even get into that here) in Mission To The Unknown, as a supporting actor. Also hovering around in the background were Petula Clark, Una Stubbs and The Dudley Moore Trio, who on the basis of the available evidence were quite possibly the most entertaining factors in the entire show.
Aside from the time-honoured Saturday Night Western – on this occasion Marlene Dietrich vehicle Rancho Notorious – the rest of the evening on BBC1 was taken up by imported entertainment from comic folk singer of ‘Camp Granada’ impenetrableness Allan Sherman, and crooning Bear-asking-for-‘cookies’-botherer Andy Williams, followed by – more intriguingly – mother and daughter Margaret and Julia Lockwood in The Flying Swan, a comedy drama about a hotel owner and her air hostess daughter. Reportedly somewhat on the surreal side, it sounds very much like a series well worth dusting down and revisiting, and as this week’s instalment The Contract – in which Carol finally gets to achieve her longstanding ambition of actually flying a plane – is one of only two known to survive, maybe we might get the chance to do that soon. Oh, was that a hint I dropped just there? Well it pays to be subtle. The evening finishes off with Robin Day, Ian Trethowan and Kenneth Harris reporting from the Liberal Party Assembly, and with everything the way it is right at the moment you’re probably thinking that political television coverage of any sort can fuck the fuck off and that you’re glad that we won’t be dwelling on this. Woah ha ho, just you wait.
BBC2 at this point only had a handful of hours to play with, so why they chose to waste the vast majority of them on – you guessed it – the Liberal Party Assembly is beyond explanation, though at least it would have countered any accusations of MSM BAIS!!!!8. More suitable second channel fare comes later in the form of head-hurting woman-turns-tables Polish subtitled psychosexual proto-Blow-Up pop art drama Innocent Sorcerers, an Australian Television Service presentation of The Barber Of Seville from that year’s Bregenz Festival, and of course Late Night Line-Up, in which Denis Tuohy, Michael Dean, Nicholas Tresilian and Joan Bakewell were almost certainly talking about Innocent Sorcerers, probably talking about Wayne And Shuster, possibly talking about The Drahvins, and more than likely throwing heavy objects in the general direction of the Liberal Party Assembly.
Over on the Home Service, there’s an alarming battery of short individual news shows – amongst them Outlook, Today’s Papers, From Our Own Correspondent, a confusing repeat of Friday’s Ten To Eight as Ten To Seven, Farming Today and On Your Farm, Sounds Topical, The Weekly World and In Your Garden, presented by one ‘Roy Hay’ – where you would now just get a single over-arching magazine show. There are a fair few religious shows – indeed, several of the news shorts were disconcertingly billed as having a ‘Christian slant’, as if one was needed on gas being struck in the North Sea – and some educational broadcasts which must have had the poor unfortunates forced to listen to them on a Saturday morning wishing that the wireless had never been invented. Matters pick up sharply with a repeat of the 30th May 1965 edition of Round The Horne – featuring Kenneth Horne: Special Agent in ‘The Eiffel Tower Is Stolen’, a visit to Julian And Sandy at Bona Pets, and Rambling Sid Rumpo treating us to The Cornish Lummock Woggling Song – and the previous Monday’s Desert Island Discs with castaway Rita Tushingham. Her wide-ranging choices included Sibelius, Peggy Lee, The Modern Jazz Quartet and as was apparently law in the mid-sixties The Beatles, while her luxury was apparently the Albert Memorial. As there is no known surviving recording of this edition, we can only guess at Roy Plomley’s mock-bemused witticisms about the sheer impracticality of this suggestion.
At 2.15 Afternoon Theatre presented the thrilling-sounding Encounter In Corsica by J.M. Fairley, in which a mysterious stranger with a secret joins the crew of a yacht who include TV’s Cyber-Controller Michael Kilgarriff, while at 8.30 Saturday Night Theatre presented an adaptation of John Galsworthy’s The Skin Game, starring Wilfred Pickles alongside that (Cyber)man Kilgarriff again. There’s some lively exhortations to dance along at home with the Yearning Saunter and the Royal Highland Scottische in Those Were The Days at 6.45, John Bowen ruminating on Thomas Berger’s hilarious Wild West parody Little Big Man in The World Of Books at 10.30, and The Reverend R.T. Brooks offering to Lighten Our Darkness at 10.45. The evening ends with some decidedly pastoral Music At Night courtesy of oboeist Sarah Francis and pianists Wilfrid Parry and Iris Loveridge, followed by the Forecast For Coastal Waters and the sound of Damon Albarn exploding circa 1994. Hang on, though, what’s that lurking at 10pm there? Oh it’s the Liberal Assembly. Yeah, where was that dial again?
Flipping over to the Third Programme, Hans Keller and company weren’t going to be lowering themselves to waste their time on such uncouth cultural barbarians as politicians, so thankfully there’s a brief respite from the Liberal Assembly here. Instead it’s a non-stop Drivetime-esque diet of hardcore classical music, with brief diversions for a repeat of a 1963 presentation of John Mortimer’s A Voyage Around My Father starring Andrew Sachs, Hugh David and Gabriel Woolf and his ‘sibilant’ voice, and for the truly amazing-sounding Violence In Poetry. This was, it appears, a spirited debate on the subject between outspoken critical types Donald Davie, Anthony Thwaite, Edward Lucie-Smith, Peter Porter, Vernon Scannell and Philip Hobsbaum, centered around extracts from the works of Allen Ginsberg, Ted Hughes, Philip Larkin, Thorn Gunn and Robert Lowell; not all of which, warned Radio Times, might actually be permissible for broadcast in the finished programme. As well as undoubtedly being a valuable snapshot of an era when attitudes to freedom in the arts were rapidly becoming polarised, it’s also exactly the kind of discussion show that was wont to lead to frayed tempers, raised voices, and on occasion leather elbow-patched scuffling on the studio floor.
As you can imagine, matters were a great deal lighter over on the Light Programme, with upbeat and cheerful sounds pretty much the entire day through. We’re up at 5.30 for Morning Music from The Swinging Strings with Jimmy Leach And His Organolians (currently appearing at the Promenade Bandstand, Aberystwyth), and that’s really only the tip of the samba-tinged iceberg. Once the BBC’s flagship pop show, Saturday Club is gamely holding its own against the onslaught of Top Of The Pops with the aid of Wayne Fontana And The Mindbenders, The Moody Blues and pop-folk latterday cult favourites New Faces, while Lance Percival promises ‘some records, odd sounds, odd voices and half an hour of quiet pandemonium’ in Lance A’GoGo, Mark Wynter ‘sings a song or two and introduces’ the dreadfully-titled Wynter In Swingtime, there’s a Fanfare from The New Radio Orchestra conducted by Dalek Films soundtracker Malcolm Lockyer, Steel Men hitmaker ‘Rog’ Whittaker natters to The Alabama Hayriders, The Strawberry Hill Boys and Murray Head in the Folk Room, The Cambrian Male Voice Choir ‘and their friends’ belt out some songs from Wales in All Together, Moira Anderson Can’t Help Singing, Sidney Bowman And His Orchestra with ‘MC Stanley Wilson’ announce it’s Time For Old Time (‘Old Skool’, surely?), and the brilliantly named Yes, It’s Great Yarmouth hurries Matt Monro, The Bachelors, Joe Brown And The Bruvvers, Peter Goodwright, Freddie ‘Parrot Face’ Davies and whoever or whatever The BBC Summer Show Band might have been on and off a doubtless very cluttered stage. Now THAT’s how you do Light Entertainment, Ian Nightly Show. In between, Katie Boyle oversees short-lived Eurovision Song Contest spin-off West German Broadcasting Service co-production Pop Over Europe, probably managing not to say ‘suck it up loosers you lost so suck it up whatever the fuck that actually means’ along the way, and there’s also some up to the minute youth-orientated news, views, comments and up to the minute hit pop discs from Roundabout ’65, sadly dating from before Michael Palin’s brief stint as a co-host.
On into the night, Francisco Cavez And His Latin Rhythm chip in from the Savoy Hotel, while Eric Winstone of ridiculous Doctor Who theme cover infamy has to make do with Butlin’s in Bognor Regis, and DJ before there were DJs Pete Murray takes us off into the small hours with prototype ‘music magazine’ show Late Night Saturday, boasting an interview with Dusty Springfield about the making of Everything’s Coming Up Dusty alongside Pete’s pick of the highlights from the latest LP and EP releases. He probably didn’t play Look On Yonder Wall by The Paul Butterfield Blues Band, mind.
So, that’s 25th September 1965, and while there were plenty of shows that probably sound more interesting as historically adrift titles and billings than they ever would in actuality (oh and Wayne And Shuster), there’s also The Flying Swan and Violence In Poetry, both of which sound so potentially amazing that you’d almost want to see them even more than three more episodes of Hot Drahvin Action. Almost. And it turns out there wasn’t any David Bowie anywhere on any channel on this day after all, which put paid to a planned joke halfway through. Still, however good that Saturday’s television and radio may or may not have been, at least they wouldn’t have to put up with the sonorous drivel of bastards not replying to a straight question for the rest of the week. No, definitely not.
So that was your choice of viewing – and indeed listening – on 25th September 1965, and while the entertainment/politics balance wasn’t even a millionth as hopelessly weighted in favour of the programmes that the vast majority of viewers have no interest in as it is now, it’s still depressing to see just how demanding they already all were about getting their faces that nobody wanted to see onto programmes that nobody wanted to watch. We can only hope that Bill Grundy seized the opportunity to say ‘BARSTARD’ at somebody else for once. Either that or The Rills put in a ‘rare’ appearance.
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You can find more about the joys of scouring old television and radio listings – and about Galaxy 4 itself – in Can’t Help Thinking About Me, available in paperback here or from the Kindle Store here.
Through The Two Hundredth Window is an attempt to work out what might have happened in the long-lost two hundredth edition of Play School, also from 1965; you can find it here.
© Tim Worthington.
Please don’t copy this only with more italics and exclamation marks.